Play Along Piano

Tags

Handel

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
Cello	17	0	3	5	95%
Juno	15	0	4	9	84%
Vln 1	20	0	4	5	80%
Violas	19	0	4	5	74%
Vln 2	21	0	6	3	70%
Celli	17	0	3	3	66%
Kontrebaß	17	0	3	3	66%

HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)

edward.maurath

0:40	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
Organ	12	13	3	5	100%
	12	10	2	5	92%
Soprano	8	1	1	5	77%
Bassoon	9	0	0	5	75%
	9	0	0	5	75%
Celli	7	0	0	5	75%
Kontrebaß	7	0	0	5	75%
Tenor	8	0	3	5	70%
Bass	9	0	0	5	67%
Viole	3	0	0	5	67%
Violini	12	0	2	5	67%
Oboe	9	0	2	5	55%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

HWV5A2N11 - "Mà Rodrigo"

edward.maurath

0:52	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
	18	17	4	3	88%
Violoncello (Continuo)	9	0	2	3	88%
Cembalo (Continuo)	3	0	0	1	31%
	15	9	2	3	44%

HWV63A1N2 - "Mourn, ye afflicted children" in c minor

edward.maurath

5:08	Est. Play Time
47	Measures
	1,196Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	7	6	5	94%
	25	11	8	7	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	7	6	5	94%
	25	11	8	7	100%
Contrabasses	22	0	8	7	100%
Violas	21	0	7	6	100%
Violoncellos	25	0	8	7	100%
Vln 1	25	0	9	6	100%
Vln 2	27	0	10	6	100%
Alto	15	0	5	4	87%
Tenor	15	0	5	4	87%
Bass	22	0	11	4	85%
Soprano	19	0	9	5	85%
Oboe	19	0	7	6	74%
	19	0	7	6	74%
Bassoon	23	0	8	5	74%

HWV1N17vEJM - "Nein, Osman muß, was er versprochen"

edward.maurath

0:17	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	11	7	3	2	83%
	12	6	3	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	11	7	3	2	83%
	12	6	3	2	100%
Harpsichord	11	7	3	2	83%
	12	6	3	2	100%
Organo	11	7	3	2	83%
	12	6	3	2	100%
Consalvo	12	0	2	4	100%
Continuo	6	0	2	2	100%

HWV5A1N2 "petto col fulmine del cielo"

edward.maurath

0:06	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
Violoncello (Continuo)	7	0	1	2	100%
Florinda	7	0	1	5	67%

MESSIAH, PART ONE, No. 1 SINFONIA [overure]

Ruushii

5:27	Est. Play Time
98	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue à tuyaux		25	27	9	8	97%
		32	9	10	8	91%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue à tuyaux		25	27	9	8	97%
		32	9	10	8	91%

HWV61A2N45 - Oh Sentence too severe!

edward.maurath

0:22	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
NITOCRIS	6	0	3	3	83%
ORG RH	14	6	5	2	83%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
NITOCRIS	6	0	3	3	83%
ORG RH	14	6	5	2	83%
Organ LH	15	8	5	2	83%
Vcl	7	0	1	2	83%
Violone	7	0	1	2	83%

I Know That My Redeemer Lives

clcworship

3:25	Est. Play Time
96	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	18	2	8	100%
	17	10	1	7	91%
Voice	11	0	1	7	56%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	18	2	8	100%
	17	10	1	7	91%
Voice	11	0	1	7	56%

Handel: HWV 57: Samson, "Total Eclipse"

edward.maurath

3:16	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
Cello	17	0	3	6	87%
Violins 1	17	0	1	7	75%
Violins 2	16	0	1	8	75%
Samson	15	0	5	6	72%
CBass	16	0	2	6	69%
Violoncellos	16	0	2	6	69%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
Violini Tutti	21	0	5	7	76%
Cleopatra	15	0	4	6	62%
Violoncello Continuo	18	0	4	5	61%
Oboe	12	0	1	7	59%
Contrabassi Continuo	17	0	2	5	51%
Violoncelli Continuo	17	0	2	5	51%
Bassoon Continuo	15	0	0	5	44%
Viole	10	0	0	5	34%
Bassoon Viola	10	0	0	5	16%

"Nel tuo seno" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

2:34	Est. Play Time
27	Measures
	1,274Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	12	2	6	96%
	17	9	1	5	96%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	12	2	6	96%
	17	9	1	5	96%
Harp Contnuo	21	42	3	6	96%
	18	14	2	5	96%
Contrabassi Continuo	14	0	1	5	96%
Violini 1	19	0	2	6	96%
Violini 2	19	0	2	6	96%
Violoncelli Continuo	15	0	1	5	96%
Violoncello Continuo	15	0	1	5	96%
Cornelia Contralto	10	0	2	5	78%

HWV56N18Y1741 Messiah - Rejoice greatly - 12÷8 time

edward.maurath

8:30	Est. Play Time
120	Measures
	2,268Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	90	8	10	95%
	26	72	8	7	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	90	8	10	95%
	26	72	8	7	100%
Organo	25	90	8	10	95%
	26	72	8	7	100%
Bassoon	23	0	8	6	100%
Celli	23	0	8	6	98%
Contrabass	22	0	8	6	90%
Violin	26	9	8	9	84%
Oboe	26	13	8	9	83%
Soprano	14	0	5	8	75%

HWV56N26 - All we like sheep have turnèd

edward.maurath

4:32	Est. Play Time
93	Measures
	2,332Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	53	8	7	95%
	26	21	7	4	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	53	8	7	95%
	26	21	7	4	100%
Cello	26	0	7	4	100%
Contrabass	26	0	7	4	100%
Violin I	21	0	5	7	90%
Organ	22	9	7	8	87%
	23	10	7	6	82%
Violin II	25	0	7	8	87%
Soprano	17	0	4	6	85%
Tenore	15	0	4	6	83%
Alto	14	2	4	7	79%
Viola	20	0	5	6	79%
Basso	18	0	6	6	77%